Zimbardo, a young Stanford psychology professor, built a mock jail in the basement of Jordan Hall and stocked it with nine “prisoners,” and nine “guards,” all male, college-age respondents to a newspaper ad who were assigned their roles at random and paid a generous daily wage to participate. The senior prison “staff” consisted of Zimbardo himself and a handful of his students.
The study was supposed to last for two weeks, but after Zimbardo’s girlfriend stopped by six days in and witnessed the conditions in the “Stanford County Jail,” she convinced him to shut it down. Since then, the tale of guards run amok and terrified prisoners breaking down one by one has become world-famous, a cultural touchstone that’s been the subject of books, documentaries, and feature films — even an episode of Veronica Mars.
The SPE is often used to teach the lesson that our behavior is profoundly affected by the social roles and situations in which we find ourselves. But its deeper, more disturbing implication is that we all have a wellspring of potential sadism lurking within us, waiting to be tapped by circumstance. It has been invoked to explain the massacre at My Lai during the Vietnam War, the Armenian genocide, and the horrors of the Holocaust. And the ultimate symbol of the agony that man helplessly inflicts on his brother is Korpi’s famous breakdown, set off after only 36 hours by the cruelty of his peers.
There’s just one problem: Korpi’s breakdown was a sham.
“Anybody who is a clinician would know that I was faking,” he told me last summer, in the first extensive interview he has granted in years. “If you listen to the tape, it’s not subtle. I’m not that good at acting. I mean, I think I do a fairly good job, but I’m more hysterical than psychotic.”
Now a forensic psychologist himself, Korpi told me his dramatic performance in the SPE was indeed inspired by fear, but not of abusive guards. Instead, he was worried about failing to get into grad school.