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Fans of the HBO series “Boardwalk Empire” may remember that World War I veterans grappling with disability occupied a critical place in the show’s story. Fictional vet Jimmy Darmandy (Michael Pitt) struggled as much with PTSD as he did with a limp derived from shrapnel embedded in his leg by a German grenade. Richard Harrow (Jack Huston), on the other hand, endured facial disfigurement so severe he wore a mask to conceal his injuries, though his wounds went far beyond the physical.
Artifacts on display in the Library of Congress exhibit Echoes of the Great War: American Experiences of World War I demonstrate the human cost of the war, the government’s response and the ways in which injured veterans helped push forward—even if in a somewhat limited fashion—the disability rights movement.
During the war, 224,000 soldiers suffered injuries that sidelined them from the front. Roughly 4,400 returned home missing part or all of a limb. Of course, disability was not limited to missing limbs; as the “Boardwalk Empire” characters demonstrate, a soldier could come home with all limbs and digits intact yet struggle with mental wounds. Nearly 100,000 soldiers were removed from fighting for psychological injuries; 40,000 of them were discharged. By 1921, approximately 9,000 veterans had undergone treatment for psychological disability in veterans’ hospitals. As the decade progressed, greater numbers of veterans received treatment for “war neurosis.” Ultimately, whether mental or physical, 200,000 veterans would return home with a permanent disability.
“[A] man could not go through that conflict and come back and take his place as a normal human being,” veteran and former infantry officer
Robert S. Marx noted in late 1919. Marx played a critical role in establishing the organization Disabled Veterans of the World War (DAV) in 1920. He knew well the sting of disability: Just hours before the war’s ceasefire, he suffered a severe injury after being wounded by a German artillery shell.